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展覽期間│2013.09.27-10.25
開幕時間│2013.09.27 Fri 19:00
展覽地點│新苑藝術 台北 ⋯⋯
     (台北市八德路三段12巷51弄17號1樓)

  睽違兩年,新苑藝術將於2013年09月27日至10月25日舉辦耿晧剛最新個展「差異之間」。耿晧剛在此次展覽中呈現的作品形式多元,除了具視覺效果的畫作和物件,亦包含了大件數位輸出。此展覽中的三項中心主題以英文大寫縮寫涵蓋,簡稱為G.S.Z. The Difference Between: 我們也許可詮釋為Green colonialism (或colonial Green) - 綠色式殖民主義,Skull - 溫柔甜蜜的死亡, Zebra - 草原斑馬生命力。 無論是在「征服意志慾望」、「人世虛榮」、「意識形態衝突」等議題上,新展覽更反映出了藝術家面對多項關注議題之時,產生論述的思考進程。

  藝術家此次的裝置藝術與攝影作品延續Readymade的基本精神,卻企圖在挪用、轉移、再複製物件的同時,伸展個人的創作概念並且影喻物件可附有的雙重含意。除了使用已存在取得的現有品項組合成型的裝置物件外,再將斑馬繪畫、 殖民綠色系衣件裝置與人頭裝置原件拍照成為攝影作品,成為加強效果、放大尺寸、 以數位藝術噴墨單一版大圖創作,放大的攝影作品也成為單一版畫輸出,成為Readymade of readymade !  玩味的當然還有原件與輸出作品大小物件間的視覺差異效果、大眾習慣的尺寸大小與價格高低間的迷思,攝影成為破除既有概念與挑戰視線焦點的手段,企圖讓觀眾留下物件放大後的深刻印象。



The Difference Between A Solo Exhibition by Keng Hao Kang 2013

Duration│2013.09.27-10.25
Reception│2013.09.27 Fri 19:00
Venue│Galerie Grand Siècle,Taipei,Taiwan
    (1/F, No.17, Aly.51, Ln.12, Ba-de Rd. Sec.3, Taipei, Taiwan, 10559)

  After nearly two years, Keng Hao Kang will hold a solo exhibition at Galerie Grand Siècle  to showcase his newest works.  The exhibition, named The Difference Between, will be held from September 27 to October 25, 2013.  The exhibition will feature a wide range of works, including paintings, visual art, and large scale digital works, and revolve around the three themes: G.S.Z.  “G” stands for “Green colonialism (or colonial Green)”; “S”  is short for “Skull” - symbolic of a sweet death; and, “Z” is the abbreviation for “Zebra” - symbolic of the vitality of a zebra.  The artworks echo the artist’s thoughts on issues that lie close to his heart, including “overcoming desires,” “mankind’s vanity,” and “ideological conflicts.”

  The installation art and photography featured by the artists continues the fundamental spirit of readymade, yet also attempts to divert, transfer, and then copy the objects at the same time.  This not extends his own creative concepts, but also echoes the double meanings that can be attached to the objects themselves.  In addition to acquiring and using readymade items for the purpose of composing installation objects, the artist also transforms paintings of zebras along with a colonial green series of clothing and human busts into works of photography.  The resulting effect is enhanced and the dimensions are magnified.  Through digital art, a work consisting of a large image is created through the spraying of ink.  A magnified work of photography is also outputted as a single edition print that becomes a type of “readymade of readymade”!  Of course, what is also interesting is the contrasting visual effects invoked the original objects and the various-sized objects outputted by the work.  The public is accustomed to the myth amongst dimensions, sizes, and price levels.  And, photography has become a method for getting rid of the focus of attention on both concept and challenge, as it attempts to leave a deep impression on viewers with magnified objects.
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